Hashimoto Modern is happy to existing Wet Desire, a solo exhibition by Toronto-centered artist Megan Ellen MacDonald. The exhibition will be MacDonald’s next solo presentation at Hashimoto Modern, and debut solo exhibition in New York Metropolis.
Using 3D application and virtual reality to make intricate scenes, the artist reinterprets these compositions through standard oil painting approaches educated by historical nevertheless life portray of the Dutch Golden Period. Continuing the exploration of contrasting themes of objectification and electric power, MacDonald expands on how these themes relate to the femme working experience as a result of coded iconography.
For Damp Aspiration, the artist depicts distorted, opulent tableaus of organic factors stuffed with bouquets, skulls and fruit, which allude to the commodification and seduction within an elaborate interior environment just one that clumsily mimics elements of ours but maintains its personal special aesthetic. Glossy, extremely ripe fruits and flowers dangle from delicate stems, drooping closely from the weight. Shucked oysters tantalizingly simply call to the viewer, holding a shimmering pearl at it is center. MacDonald’s saturated palette is slick and complete of shades of pink, what is considered to be a historically femme color.
About the latest overall body of perform, the artist states, “each perform serves as a memento mori and appreciate letter to the complexities of mother nature that we choose for granted. Though the work explores feminine id and the dichotomy of gender and electrical power, the narratives in the exhibition incorporate references to the fragility and elegance of the purely natural world.”
Seductive but unnerving in their surreal mother nature, the artist paints scenes which allude to the affect of human intervention with character, and our inclination to switch actual earth encounters with additional curated, commodified existences.
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