At initial glance, these failed to rather feel like Mike Lee is effective. The color palette is there, that just about technological precision is there, like electronic prints hand-painted. But what employed to be additional figurative has grow to be illusions of everyday living, a trace of a determine but ghostly. It is pretty much as if he is at a battle with his applications, to understand what to show and what to go away to an imagination. The final results are thrilling for an artist with a masterful hand and ingenuity in his procedure for decades now.
“Gaming society was a large part of my adolescence and a kind of escape,” Lee claims. “As a child, the fascination with war was tied to a amount of fantasy and pleasure, but approaching adulthood I produced a far better comprehending of the correct consequences. The rise of the web and entry to prevalent information offered me an perception to the immense catastrophes as effectively as the discrepancies of the media’s encapsulation of fact.”
His solo present, No Man’s Land, on watch at Fifty percent Gallery in NYC, feels assured and delberate in his new aim on surface and story. It’s a silent nod to conflicts in lifestyle and in politics, also an comprehension that humanity has shifted around the training course of the very last 3 decades. Lee is up for the obstacle of the minute. —Evan Pricco